Anyway, during the first week, group members explored the space through different methods:


Sonically - Maryclare Foa created songlines and lead the group in creating a symphony of sounds using the equipment we were working with, she has also been experimenting with video and live music,
With string Jane Grisewood and Maryclare created a string phone,
Through seismic exploration - Jane recorded her body movements through the use of pencil while walking,
Psychologically - Danielle is working an a methodology for a system of self analysis through art work.


Tomorrow we plan a series of sound experiments in different parts of the gallery which resonate in different ways.
My own work is concerned with animation and performance. Could animation be seen as a type of performance as opposed to sequential drawings or a subset of film? To investigate this I am working on a series of experiments which combine live physical presence and animation. My work is primarily digital, so I welcomed the opportunity of working in a large gallery space to do something different from usual.
The first concept was to create a giant paper cartoon head mask of Betty Boop. I chose this character, because she is such an iconic figure and so overtly feminine. I wanted to create a more dangerous version of her. I also felt that my work had got a bit too serious lately and I need to lighten up a bit and take some time away from the computer!

Why did I want to do this - well I thought it would be interesting to get inside a cartoon character and experience life on the inside! Then armed with this experience I can go back to the computer and breathe new life into my current interactive webcam project.

So starting with a roll of wallpaper I started ripping and sticking until a head started to take shape. As I worked on it, a character started to emerge. Not the sanitised Betty Boop of later years, but a version inspired by her early character designs - yes Betty started out as a dog. Hence Dog Betty is starting to take shape!

Today I finished the draft maquette and tomorrow I hope to finish the head itself. It's still slightly too big and this is restricting the performance possibilities. So my next stage is to cut it down a little, then I'll be ready to start rehearsing Dog Betty mannerisms. I am already planning a whole series of scenarios to film next week.

This is Steve Colson from the Lethaby Gallery who is collaborating with us.
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